Typically, I'm over apocalyptic horror. Although classics like 28 Days Later along with the initial episodes from The Walking Dead proved gripping, the genre feels mostly exhausted at this point. Even the highly anticipated 28 Years Later has been gathering dust on my to-watch queue for months. But, Netflix's new Southeast Asian horror film, The Elixir, succeeded in defy what I anticipated turning out remarkably enjoyable.
Superb Pacing and Personal Development
Among the film's strongest assets is its superb rhythm. It kicks off using a striking initial scene in which a peaceful family gathering is violently disrupted by a vehicle crashes right into the guest area. Out of the van, an extremely zombie-like individual emerges proceeding assaulting the partygoers. This dramatic moment is then succeeded by a look back, allowing us to observe this household before the tragedy struck.
Unlike numerous zombie films, The Elixir actually gives the audience sufficient time to become acquainted with its main personalities before the carnage begins. We meet Nes, a married mother with a former best friend, Karina, has become wed to Nes' father—a clearly uncomfortable dynamic. This has predictably led to a falling out among Nes and Karina. Then there's her sibling, Bang, who is kind-hearted yet socially awkward, and he loves gaming alongside his nephew, Raihan. Her spouse, Rudi, seems to have recently been unfaithful to Nes. This household head is her dad, the owner of a well-known herbal remedy company called Wani Waras, and who seems to care about just two things: his business and his wife to his daughter's former best friend. Unsurprisingly, this gathering proves incredibly strained.
Engaged in the Conflict
I found myself so invested with this household's issues and their interpersonal drama that I nearly overlooked I was watching a scary movie—something that could sound like a drawback, yet ultimately paid off. The Elixir dedicates a considerable amount of the film depicting us the identity of every relative is, and how they contribute to the overall dysfunction. This focus on conflicting traits enabled me to connect with the characters enough to be concerned for their fate—an uncommon accomplishment in a genre that often presents individuals only to eliminate them shortly afterwards. The Elixir doesn't treat its cast as two-dimensional, disposable victims for a horde of the undead to consume, so it's a genuine surprise when things finally go wrong.
Reminiscent of Parasite
The initial scenes from the gathering and various household exchanges actually bring to mind the movie Parasite, a tale that masquerades as a K-Drama featuring slightly dark humor prior to taking a sudden turn into "holy shit" territory. These introductory moments don't focus too heavily on comedy as Parasite, but The Elixir nonetheless gives enough opportunity to immerse in the setting before it gets turned upside down.
Unique Infection Origin
This movie also offers a quite intriguing reason regarding the origin of the contagious transformation. Instead of a unintended laboratory incident or some sort of bioweapon, the source for this infectious condition originates in a new batch from Wani Waras natural medicines developed by her dad. While we do learn a bit about its origins, I wish the movie devoted a little more focus on how Wani Waras transitioned from a trusted supplier of natural treatments to creating a deadly potion which seems to contain an extremely infectious virus. Regardless of the limited context, the impact this condition produces on people proves utterly repulsive, and I appreciate. The Elixir's undead are quick, freaky-looking, and, perhaps worst of all, constantly grinning. This is a daring choice, but it works. The Elixir's physical effects and computer graphics also appear very convincing, and are practically guaranteed to trigger one's trypophobia.
Resourceful Personalities
More impressive than the disgusting moments is the cast themselves. Of course, there are a few instances of dubious decision-making (like any any good undead film), however generally, Nes and her relatives show themselves resourceful and quick-thinking. Additionally, they don't hesitate to strike a zombie in the head, pierce it using a farm tool, or beat it over the head with the nearest blunt instrument they find rather than freezing like a deer caught in lights as death approaches.
Realistic Familial Discord
The Elixir doesn't abandon its focus of familial discord once individuals start turning to the undead, this proved a pleasantly realistic subversion from the "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" cliché often seen in apocalyptic films. Obviously, Nes cares for her family and values her spouse, Rudi, yet it's equally apparent she's still holding onto resentment over his betrayal in their relationship. When the family gets separated, they agree via telephone to regroup at a nearby location. But when Bang reveals he is unaware the way to the location, Nes unleashes an immense level of irritation toward Bang which has obviously been brewing over time. Nes isn't flawless, and her family—with all their imperfections—feel realistic and relatable because the film doesn't try to promote the notion that nearly dying immediately resolves family tensions. This makes the moments when these characters express appreciation toward one another feel much more sincere.
Stereotypical Ending
Despite The Elixir's best attempts to break new ground, the conclusion must be said to be a bit formulaic. The Elixir doesn't truly presenting some profound insight regarding relatives or society, as well. Rather, it's primarily serving up frights. But they're successful scares, and because the movie gives each character enough room to develop and doesn't punish them for having flaws, the outcome is a captivating and enjoyable
